The colour of it’s LED indicates the Filter Slope. When not all the way to the right, the High cut frequency is being selected. When all the way to the right, the Low Cut is off, and the LED will be turned off. This Knob acts as both an on/off switch as well as the frequency setting for the High Cut in pickup mode. The colour of it’s LED indicates the Filter Slope.(see below) Hi Cut Frequency When not all the way to the left, the Lo cut frequency is being selected. When all the way to the left, the Low Cut is off, and the LED will be turned off. This Knob acts as both an on/off switch as well as the frequency setting for the Low Cut in pickup mode. This button inverts the phase of the channel. This button enables the Pre section when lit.When Orange the Pre is bypassed, when Yello, the Pre section is enabled. This knob controls the Gain in pickup mode (bright when captured). Toggles the Edit or Channel Strip window of the selected track. Toggles the Instrument window on instrument tracks. Toggles the Write mode of the selected track. 1-4 across the top, and 5-8 along the middle.įocus Quick Controls were selected here because they provide control over whatever is in focus, including Track Quick Controls, where as Track Quick Controls can only modify the selected track. These knobs control the Focus Quick Controls in pickup mode (bright when captured). When not in the down position this fader changes the level of the metronome. (When using the Control Room make sure to have the Control Room Metronome enabled at all times.) When all the way in the down position, this fader will turn on, or off the Metronome. It is split into several sections EQ, Quick Controls, Pre, Track Strip, and has the addition of a Metronome Control. The controls on this page are typically specific to the selected track. The Track Page provides control over much of the available Track Controls. This red button at the lower right, will toggle the write state of the Selected Track. Pressing one of these buttons will select the given track. The difference between the Cubase value and the position of the fader will close as the fader is moved until they are the same, and then the fader will move the volume of the track in sync. The Faders control the volume in Scaled mode. The lower row of knobs controls the level of Pan for the given track. The middle row of knobs controls the level of Send 1 level for the given track. The top row of knobs controls the level of Cue 1 level for the given track. In this image the position of the knob on the left does not match the value in Cubase, but the knob on the right does. When the position of the knob and the value within Cubase are known to be the same, the LED will show High. ![]() ![]() In this mode the LED will show dim or Low when the value within cubase does not match the position of the knob, or when the difference is unknown by the script. Most Knobs that affect variables are set to “pickup” mode. These buttons will always affect the currently selected track. The Monitor, Mute, Solo and Record Arm buttons are toggles and will be Off when not engaged, and Yellow when engaged (Except on the Instrument page where they are always Amber, and will function for any Track type.) The Play and Stop buttons have been combined to provide a Play/Stop Toggle. The Rewind and Fast Forward buttons are momentary, and the cursor will stop when they are released. ![]() The 7 leftmost lower Buttons are always the transport analogous to the transport in Cubase. The Left and Right Arrows will always select the Next or Previous Page The Up and Down Arrows will always move the track or bank to the Next or Previous. On all of the pages the Following Controls are consistent. The buttons along the bottom are capable of all colours listed, but always show Yellow High when selected, or “On”.Ĭolours take on meanings, and when they do a similar chart will be provided with the meanings listed. The arrowed button can only display red, and the state buttons can only display amber and yellow. The buttons on the right of the device are not capable of displaying all of the colours. Care has been taken to provide as many colours as possible. The Launch Control is capable of a limited Palette. Your MIDI Remote tab should now show something like this: Colour Chart Navigate to wherever you have saved the file: In Cubase, within the MIDI Remote tab, Open the MIDI Remote Manager: The Launch Control is now set up, and ready to go. Your Launch Control should now look something like this: Select Template 8 on your Launch Control: By pressing “Templates User” and then 8 on the bottom row of buttons. Now select “Send to Launch Control”, and select Template 8. Select Launch Control XL from “Choose your Product.”: To Enable the Script one will need to first download and install the Novation Components Application or use the on-line Components web app:
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